
My five am start, two and half hour drive and four and a half hour queue time to ensure my feet were one of the first across the threshold at Dismaland paid off…
I was in!
The pre-opening ticket PR hype did nothing to quell my excitement, and I was not disappointed. Not one little bit!
The staff are purposefully rude, abrupt and non-responsive, but in such a humourous way that I got an exceptional fit of the giggles as we passed through the fake security entrance. Of course they had been told to do that, but the innocent childish laughter kept coming. Cardboard scanners and CCTV and other props were incredible, polished off by the outstanding performance by the staff who ‘interrogated’ you. After a hilariously impressive start I went through the door half-expecting it to end there but there were more staff to hand out leaflets, only they made it intentionally difficult for you to take a map from their hand, or just stood there looking at you blankly full of disdain. None of them broke character, not once and it totally made the experience.

I found it a visual over load, with so much detail that I took a lot of time taking it all in. It was a magnificent triumph, Banksy had successfully curated a wide array of art and put the artists together to create one fluid and coherent installation. He created this from scratch in under six months, it was seriously impressive.
Having the PR ‘stunt’ fit in line with the event/attraction/installation (well, it is all three!) was the perfect way to promote the event and keep it in line with the mission behind the installation.
The art itself, predominantly installations, were deliberately thought provoking and challenged perceptions. Here’s a peek at some of the works…
It’s a great place for creative thought, perhaps it suggests a way for public relations to come at things from a different angle too. The stakeholders in attendance were a large cross-section of society, some where there because of the hype, the attraction, the installation, to look cool, to be an activist, an anarchist, an artist…
Every sort of person was there and international languages rippled across the air. Stereotypes didn’t really work here, it had a strange mass appeal. Perhaps it’s because Banksy’s works aren’t aimed at one person, they are aimed at everyone, to challenge everyone’s thoughts and what is fundamentally right and wrong.

It was anything but Dismal! We had a wonderful time, and I seriously suggest you go and experience not only the fun side, but the elements which make you challenge your thoughts and ideas on difficult topics.
Oh yeah, and don’t forget to Exit through the Gift Shop…
This exhibition was temporary and ran during 2015.